ΤΟ ΝΕΟ ΠΡΟΓΡΑΜΜΑ 2010-11

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EUROART PRESS 1: ΤΟ ΝΕΟ ΠΡΟΓΡΑΜΜΑ 2010-11 ART-ACT

art-act THE NEW PLAN 2010-11

http://2010-2011-programa-art-act.blogspot.com/
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MATERIAL SELECTION IS UNDER THE EDITORSHIP OF CHRISTOS THEOFILIS.


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ΟΛΕΣ ΟΙ ΕΠΙΛΕΓΜΕΝΕΣ ΑΝΑΡΤΗΣΕΙΣ ΕΙΝΑΙ ΑΠΟ ΕΝΗΜΕΡΩΣΕΙΣ 'E-MAIL' GALLERY - ΕΙΚΑΣΤΙΚΩΝ - ΕΝΤΥΠΩΝ ΤΕΧΝΗΣ ΠΡΟΣ ΤΟ EUROART PRESS
ΣΤΕΙΛΤΕ ΣΤΟART-ACT@TELLAS.GR ΤΙΣ ΕΚΘΕΣΕΙΣ ΣΑΣ ΦΩΤΟ. ΔΕΛΤΙΟ ΤΥΠΟΥ ΚΑΙ ΑΝ ΕΠΙΛΕΓΟΥΝ ΘΑ ΑΝΑΡΤΗΘΟΥΝ

ΕΠΙΜΕΛΕΙΑ ΥΛΗΣ ΕΠΙΛΟΓΗ ΧΡΗΣΤΟΣ Ν. ΘΕΟΦΙΛΗΣ



[Π. ΓΕΝ.ΓΡΑΜΜΑΤΕΑΣ Ο.Σ.Δ.Ε.Ε.Τ.Ε./ Π.ΤΑΜΙΑΣ ΤΟΥ Ε.Ε.Τ.Ε. / ΜΕΛΟΣ ΠΑΝΕΛΛΗΝΙΑΣ ΕΝΩΣΗΣ ΛΟΓΟΤΕΧΝΩΝ Π.Ε.Λ. / ΜΕΛΟΣ A.I.C.L. ASSOCIATION INTERNATIONALE DE LA CRITIQUE LITTERAIRE /ΕΠΙΜΕΛΗΤΗΣ ΕΚΘΕΣΕΩΝ/ επιμελητής της στήλης 'αυτοπροσδιορισμοί' των σελίδων γράμματα - τέχνες - εικαστικά της εφημερίδας 'η αυγή' και συνεργάτης του περιοδικού ΄Culture΄ της εφημερίδας ‘’ο κόσμος του επενδυτή’’]


Διαβάστε με το ποντίκι, THN ΣΤΗΛΗ 'ΑΥΤΟΠΡΟΣΔΙΟΡΙΣΜΟΙ' ΣΤΗΝ ΕΦΗΜΕΡΙΔΑ ' Η ΑΥΓΗ '

Διαβάστε με το ποντίκι, THN ΣΤΗΛΗ 'ΑΥΤΟΠΡΟΣΔΙΟΡΙΣΜΟΙ' ΣΤΗΝ ΕΦΗΜΕΡΙΔΑ ' Η ΑΥΓΗ '

'ΑΥΤΟΠΡΟΣΔΙΟΡΙΣΜΟΙ'

ΓΙΑ ΤΗΝ ΑΝΑΠΤΥΞΗ ΛΕΙΤΟΥΡΓΙΚΗΣ ΠΟΛΙΤΙΣΜΙΚΗΣ ΑΠΟΨΗΣ.
Η ΣΤΗΛΗ ΛΕΙΤΟΥΡΓΕΙ ΩΣ ΚΕΛΥΦΟΣ ΛΟΓΟΥ – ΟΡΑΜΑΤΟΣ - ΠΡΟΘΕΣΗΣ ΚΑΙ ΚΑΤΑΓΡΑΦΗΣ ΤΟΥ ΧΩΡΟΥ-ΧΡΟΝΟΥ ΠΟΥ ΔΡΑ Ο ΣΥΓΧΡΟΝΟΣ ΔΗΜΙΟΥΡΓΟΣ.
ΟΙ ‘ΣΥΝΔΑΙΤΥΜΟΝΕΣ ‘ ΑΥΤΟΠΡΟΣΔΙΟΡΙΖΟΝΤΑΙ ΚΑΙ ΑΠΟΤΕΛΟΥΝ ΤΟ ΟΧΗΜΑ ΥΛΟΠΟΙΗΣΗΣ ΤΗΣ ΙΔΕΑΣ ΓΙΑ ΑΝΟΙΧΤΟ ΔΙΑΛΟΓΟ.ΠΡΟΤΑΣΗ-ΕΠΙΜΕΛΕΙΑ ΧΡΗΣΤΟΣ Ν. ΘΕΟΦΙΛΗΣ art-act@tellas.gr



11/03/2009 Χαράλαμπος Δαραδήμος ΟΣΔΕΕΤΕ http://www.avgi.gr/NavigateActiongo.action?articleID=440930


25/03/2009 Γιάννα Γραμματοπούλου ΠΣΑΤ http://www.avgi.gr/NavigateActiongo.action?articleID=440929

08/04/2009 Μαρία Μαραγκού Eλληνικό τμήμα της Διεθνούς Ένωσης Κριτικών Τέχνης, (ΑICA) http://www.avgi.gr/NavigateActiongo.action?articleID=445553

15/04/2009 ΜΙΧΑΛΗΣ ΑΡΦΑΡΑΣ http://www.avgi.gr/NavigateActiongo.action?articleID=441565

22/04/2009 ΓΙΩΡΓΟΣ ΓΥΠΑΡΑΚΗΣ http://www.avgi.gr/NavigateActiongo.action?articleID=441564

06/05/2009 Μανώλης Ζαχαριουδάκης http://www.avgi.gr/NavigateActiongo.action?articleID=441563

20/05/2009 ΞΕΝΗΣ ΣΑΧΙΝΗΣ http://www.avgi.gr/NavigateActiongo.action?articleID=441561

Ημερομηνία δημοσίευσης: 03/06/2009 Αννα Χατζηγιαννάκη http://www.avgi.gr/ArticleActionshow.action?articleID=463805

ΘΑΝΑΣΗΣ ΜΟΥΤΣΟΠΟΥΛΟΣ Ημερομηνία δημοσίευσης: 17/06/2009 http://www.avgi.gr/ArticleActionshow.action?articleID=468143

ΡΟΓΚΑΚΟΣ ΜΕΓΑΚΛΗΣ http://www.avgi.gr/ArticleActionshow.action?articleID=492005

ΑΓΡΑΦΙΩΤΗΣ ΔΗΜΟΣΘΕΝΗΣ http://www.avgi.gr/ArticleActionshow.action?articleID=493924


ΗΛΙΑΣ ΧΑΡΙΣΗΣ Ημερομηνία δημοσίευσης: 07/10/2009 http://www.avgi.gr/ArticleActionshow.action?articleID=496002

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Αρχειοθήκη ιστολογίου

Τρίτη, 24 Μαρτίου 2009

Art Gallery Lola Nikolaou 52 , Tsimiski st.GR -546 23 Thessaloniki


Haute Tension
Art Gallery Lola Nikolaou
52 , Tsimiski st.GR -546 23 ThessalonikiPhone: + 30 2310 240 416Fax: + 30 2310 240 417Contact: Lola Nikolaoulnik@otenet.grwww.artopos.org/artists/costis05.03.09 - 31.03.09Tu,Th,Fr, ... 12:00 - 20:00We, Sa, ... 12:00 - 15:00

C o s t i s 5 of March at Lolas Nikolaou Art Gallery,Thessaloniki,Greece

Haute Tension, is the title of the new art & technology exhibition of C o s t i s, at the Gallery Lola Nikolaou in Thessaloniki,Greece during the month of March 2009.
Art critic Pierre Restany wrote about his work :Costis continues his adventure , today it leads to the atmospheric electric universe and the referential, allusive and poetical consequences which such an intrusion implies. It is obviously an intrusion to enter the domain of lightning and thunder. Costis identifies with Prometheus, he appropriates fire and shapes it according to his wishes. The results are fascinating. Lightning defines itself as an electrical output in the atmosphere. It can be distinguished by the quality of its brightness. It can be sinuous, arborescent or even form a system of halos as heat waves do. Lightning, according to Costis, is in every way synthetic. It is mental because it belongs to probabilities of the elaboration of an electronic programme, its random emergence is akin to the same probability in perception that we are able to acknowledge as on this copper sheet on which the light of the electronic output is engraved. The probability of the image is conceived by us as a demonstration of non-being - as opposed to being. According to Hegel's definition, non-being is the intermediate position between being and nothingness which relieves the hypertrophy of the 'self' and creates a random openness to fanciful poetry, to rational speech. Costis' fantasy is always recuperated under the sign of 3=1. It is no longer simulacrums of faces that are challenged, but electric alternances. Costis' recent work called 3=1 stages linear elements forming with tremors a visual and illuminating trinity. Fantasy, is also an explosive game, a game with thunder, a game with all the spectacular elements in an ethereal fire. I think that Costis' behaviour is a profession of great modesty regarding the problem he is confronting. And in some way, this modesty identifies with a certain exorcism. The sky's anger doesn't start in vain and one doesn't risk playing with lightning for no reason. And I don't think that Costis - primary technology helped him tame lightning - draws a vain glory of it. I have never felt so strongly such respect toward manipulated energy containing such a fundamental discourse. Costis knows very well that he can overtake this energy from the sky and the cosmos to assimilate and integrate it in a poetical discourse. He also knows that he isn't the owner, he is only the inspired «renter» who acknowledges this invisible cosmic and nevertheless omnipresent energy that surrounds us. Being aware that energy is the basis of every expression of language and most of all the basis of all the criteria of definition, of sensitivity- acts autonomously. This sensitivity which is ours, and the demonstration of our identity is only a minute part in cosmic energy. Once again it is lent to us, we don't own it. So we are responsible for that loan and it is the quality of responsibility in our awareness that Costis wants to underline permanently with the expression of his electrical language. I think there is in this attitude a great love of humanity, and a great hope regarding the great alchemy of the world with its redemption and salvation. According to traditional alchemy lightning occurs at the term of the igneous way, the determining element in the planetary salvation and the philosophers' stone, the demonstration announcing the catalysis by fire changing lead into gold and producing the world's final salvation. We are no doubt too rational as we only notice in this electric approach the search of a poetical and probably illusory Grail. But this kind of illusion is particularly necessary for us, it helps us live, without giving us false illusions of being better. All of Costis' exhibition appears as a great metaphor of energy. A metaphor with enough symbolical references for it to open on to a moral universe.
A new book has been produced to accompany the exhibition, it documents significant lightning works and electropoems of Costis,written from Thanassis Moutsopoulos,edited by Plethron,Athens,Greece.Exhibition supported b:A.Hourmouzios & M.Papaioannou Foundation.
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